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  <id>tag:dreamwidth.org,2009-06-17:407752</id>
  <title>aliettedb</title>
  <subtitle>aliettedb</subtitle>
  <author>
    <name>aliettedb</name>
  </author>
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  <updated>2014-05-19T15:01:10Z</updated>
  <dw:journal username="aliettedb" type="personal"/>
  <entry>
    <id>tag:dreamwidth.org,2009-06-17:407752:13914</id>
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    <title>Series review: Real Humans and Borgen</title>
    <published>2014-05-19T15:01:10Z</published>
    <updated>2014-05-19T15:01:10Z</updated>
    <category term="sweden"/>
    <category term="series"/>
    <category term="real humans"/>
    <category term="borgen"/>
    <category term="denmark"/>
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    <content type="html">&lt;p&gt;A little gem from Sweden and one from Denmark:&lt;/p&gt;
&lt;p&gt;-Real Humans (&lt;span style="color: #545454;"&gt;Äkta människor), season 1, is set in the near future, at a time when humanoid robots (hubots) have become ubiquitous, fulfilling every job from caretaker for the aged to construction workers or sex toys. The storyline follows several linked individuals: the children of David Eischer are a group of hubots upgraded to have free will, and on the run from the authorities with plans of their own; the Engman family is the recipient of a new hubot, and its members struggle to adjust their attitude to it, from the mother who insists on treating her like a human being to the son who falls in love with her; and their neighbour Roger who, abandoned by his wife for her hubot lover, joins an anti-hubot movement&amp;#8230; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;This was a really interesting character-focused thriller, with a nuanced examination of various characters. There were a few stumbles (near the ending, I thought a few too many new-ish motivations came to the fore a little too quickly), but it&amp;#8217;s still masterful. The examination of what people do to hubots, and the questions on the nature of free will, are really great; and I loved that the series, in the end, doesn&amp;#8217;t take positions but encourages you, the viewer, to decide where you are standing. Also loved that the two competing groups trying to transform/preserve society&amp;#8211;the children of David Eischer and the government officials in pursuit of them&amp;#8211;are shown as equally ruthless. And, finally, it&amp;#8217;s quite nice to see a balanced cast, where everyone has their own contributions to make (in some series I have the feeling there&amp;#8217;s, say, three main characters and everyone is playing second fiddle to them to the point of being almost flattened out of existence); and a cast with very strong female roles (the heart of the Engman family is Inger, the fierce lawyer wife&amp;#8211;we never even learn what it is that her husband does). Bonus points for the queer pastor who is just awesome.&lt;/p&gt;
&lt;p&gt;As I understand, there is a series 2 that recently aired in Sweden. The DVDs are coming out at the end of the month, and the H is already pestering me to buy them. That should tell you how much we&amp;#8217;ve both enjoyed it.&lt;/p&gt;
&lt;p&gt;-Borgen: I&amp;#8217;d watched Season 1 of Borgen earlier, and was surprised to enjoy it much more than The Killing. I&amp;#8217;m probably getting a little bored with crime dramas at the moment&amp;#8230; We watched season 2 recently, where State Minister (Danish Prime Minister) Birgitte Nyborg struggles to keep her government together amidst political backstabbing and family crises. It&amp;#8217;s still pretty good: I love the theme of the series, the troubled relation between the media and the politicians (not exclusive to Denmark, sadly!); and the necessity to make compromises that may not be the best moral choices in order to achieve one&amp;#8217;s goal. In many ways, Birgitte&amp;#8217;s trajectory mirrors that of Troels Hartmann in the Killing&amp;#8211;an idealistic politician who discovers that she can&amp;#8217;t always have what she wants&amp;#8211;; though she is more experienced than Troy from the outset, and shown as a fierce negotiator and politician even before she accedes to the post. For all its desire to grapple with complex subjects ranging from depression to war crimes, it&amp;#8217;s actually a pretty optimistic series about human nature; probably why I prefer it to &lt;em&gt;The Killing&lt;/em&gt;, which comes to pretty much the opposite conclusion&amp;#8230; (not sure how to feel about the double-parter about Denmark getting involved in a civil war in a fictitious African country which looks a hell of a lot like Sudan: on the one hand, true to what actually happens today: on the other hand, a few too many easy clichés, and I would have liked a little more examination of this interference and its cost. But minor stuff, altogether). Well worth watching.&lt;/p&gt;
&lt;p&gt;(I could also easily have done without the French tag line of &amp;#8220;A woman in the Spheres of Power&amp;#8221;, which implies there is something special and unique about Birgitte. Am not sure it was the tag line in Denmark, because the series most certainly never treat Birgitte&amp;#8217;s gender like it&amp;#8217;s something special, and indeed a lot of her fellow politicians are also women).&lt;/p&gt;
&lt;p style="text-align: right"&gt;&lt;i&gt;Cross-posted from &lt;a href="http://aliettedebodard.com/2014/05/19/series-review-real-humans-and-borgen/" title="Read Original Post"&gt;Aliette de Bodard&lt;/a&gt;&lt;/i&gt;&lt;/p&gt;
&lt;p style="text-align: right"&gt;&lt;i&gt; &lt;a href="http://aliettedebodard.com/2014/05/19/series-review-real-humans-and-borgen/#comments" title="Comments"&gt;Leave a comment &lt;/a&gt;&lt;/i&gt; at original post, or comment here. &lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=aliettedb&amp;ditemid=13914" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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